{"id":5740,"date":"2026-06-23T14:46:15","date_gmt":"2026-06-23T14:46:15","guid":{"rendered":"https:\/\/operafuoco.fr\/?p=5740"},"modified":"2026-06-23T14:46:15","modified_gmt":"2026-06-23T14:46:15","slug":"le-retour-dulysse-monteverdi","status":"publish","type":"post","link":"https:\/\/operafuoco.fr\/en\/le-retour-dulysse-monteverdi\/","title":{"rendered":"LE RETOUR D&rsquo;ULYSSE &#8211; MONTEVERDI"},"content":{"rendered":"<h2 class=\"wp-block-heading has-custom-size\" style=\"font-size:50px\"><strong>THE RETURN OF ULYSSES <\/strong> &#8211; MONTEVERDI<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">NEW CO-PRODUCTION OPERA FUOCO &amp; OP\u00c9RA DE MASSY <\/h3>\n\n\n\n<div class=\"wp-block-stackable-divider stk-block-divider has-text-align-left stk-block stk-148e738\" data-block-id=\"148e738\"><style>.stk-148e738{margin-bottom:1px !important}<\/style><hr class=\"stk-block-divider__hr\"\/><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>APRIL 23th, 2027 - 8:00 PM<br>APRIL 25th, 2027 - 4:00 PM<\/strong><br>OP\u00c9RA DE MASSY<\/h2>\n\n\n\n<div class=\"wp-block-stackable-divider aligncenter stk-block-divider has-text-align-left stk-block stk-ae326dd\" data-block-id=\"ae326dd\"><style>.stk-ae326dd{margin-bottom:0px !important}<\/style><hr class=\"stk-block-divider__hr\"\/><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"5757\" src=\"https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1024x1024.png\" alt=\"\" class=\"wp-image-5757\" srcset=\"https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1024x1024.png 1024w, https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-300x300.png 300w, https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-150x150.png 150w, https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-768x768.png 768w, https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1536x1536.png 1536w, https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-2048x2048.png 2048w, https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-12x12.png 12w, https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-500x500.png 500w, https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-800x800.png 800w, https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1280x1280.png 1280w, https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1920x1920.png 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p style=\"font-size:22px\" class=\"has-custom-size\"><strong><span class=\"uppercase\">MONTEVERDI (1640)<\/span><\/strong><\/p>\n\n\n\n<p class=\" translation-block\">An Urban Myth\nMonteverdi's Il ritorno d'Ulisse in patria could be considered the first psychological drama in the history of opera. Monteverdi plays with contrasting states of consciousness and develops an\nirresistible musical language through which he brings to life human, subtle, and believable characters. By combining the rhetoric of the early Baroque with a contemporary physicality, David Stern and Anne Nguyen invite the audience to experience The Return of Ulysses in a new and powerful way.<\/p>\n\n\n\n<p class=\" translation-block\">Anne Nguyen portrays Ulysses as a man who bears the torments and scars of war. To reclaim his name, his history, his role within his family, and his place in society, the war hero must trade his identity for that of the eternal migrant, a victim of the choices made by those in power. Ulysses' return to his homeland will only be possible if he acquires the moral discernment that will allow him to reconcile the multiple layers of reality upon which power is founded.\nThe set design is built around the symbol of the bridge, a place of transcendence and transition, and the gradual unveiling of the cargo inside a shipping container, an emblem of migration.\nFrom jet-set-style gods to would-be heads of state, the singers of Opera Fuoco embody the turbulent relationships between figures representing\nmodern power.\nAlongside them, the powerful dance of three breakdancers celebrates the will of the gods and the passions of the human soul.\nFaced with oblivion and alienation, it is by asserting himself as king, as father, and then as the guardian of justice and moral order that Ulysses will finally be able to reclaim full possession of his inner self and restore his ability to act freely in the world.<\/p>\n\n\n\n<div class=\"wp-block-stackable-divider aligncenter stk-block-divider has-text-align-left stk-block stk-91407c5\" data-block-id=\"91407c5\"><style>.stk-91407c5{margin-bottom:41px !important}<\/style><hr class=\"stk-block-divider__hr\"\/><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">CREATIVE TEAM &amp; ARTISTS<\/h2>\n\n\n\n<p><em>David Stern<\/em> - MUSICAL DIRECTION<br><em>Anne Nguyen<\/em> - STAGE DIRECTOR, CHOREGRAPHY, SET DESIGN<br><em>Claire Manjarr\u00e8s<\/em> - ASSOCIATED STAGE DIRECTOR, ACTING DIRECTION<br><em>Simon Huet<\/em> - COSTUME DESIGNER<br><em>Christophe Chaupin<\/em> - LIGHTING DESIGNER<br><em>Jean-Luc Tourn\u00e9e<\/em> - SET BUILDER<br><em>Pedro Octavio Diaz<\/em> - DRAMATURGY<br><br><em>Nora Darganzani<\/em> - HARPSICHORD &amp; VOCAL COACH<\/p>\n\n\n\n<p class=\" translation-block\">Current &amp; former soloists from the Opera Fuoco Young Artists Program<\/p>\n\n\n\n<p><em>Beno\u00eet Rameau<\/em> &#8211; ULISSE<br>Floriane Hasler &#8211; PENELOPE<br>Sophia Stern &#8211; MINERVA \/ FORTUNA<br>William Shelton &#8211; HUMANA FRAGILITA<br>Guy Elliot &#8211; TELEMACO<br>Max Lartajet &#8211; TEMPO \/ NETTUNO <br>Olivier Bergeron &#8211; EUMETE<br>Lucas Pauchet &#8211; IRO <br>\u00c9tienne de B\u00e9naz\u00e9 &#8211; EURIMACO <br>C\u00e9cile Madelin &#8211;  MELANTO <br>Marco Angioloni &#8211; GIOVE \/ PISANDRO <br>George Seymour &#8211; ANFINOMO<br>Tha\u00efs Ra\u00ef-Westphal &#8211; AMORE \/ GIUNONE<br>Caroline Meng &#8211; ERICLEA<br>Julien S\u00e9gol &#8211; ANTINOO<\/p>\n\n\n\n<p><strong>Dancers from the par Terre Company<\/strong><\/p>\n\n\n\n<p>J\u00e9r\u00e9my Marie-Joseph <br>Tengis Jambaatsadmid<br>Jesus Gil<\/p>\n\n\n\n<p><strong>Opera Fuoco Orchestra<\/strong><\/p>\n\n\n\n<p style=\"font-size:20px\" class=\"has-custom-size\">DURATION : 2H30 <\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>LE RETOUR D&rsquo;ULYSSE &#8211; MONTEVERDI UNE CO-PRODUCTION OPERA FUOCO &amp; OP\u00c9RA DE MASSY 23 AVRIL 2027 &#8211; 20H0025 AVRIL 2027 &#8211; 16H00OP\u00c9RA DE MASSY MONTEVERDI&hellip;<\/p>","protected":false},"author":1,"featured_media":5757,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"qubely_global_settings":"","qubely_interactions":"","_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_uag_custom_page_level_css":"","kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[72],"tags":[118,58],"class_list":["post-5740","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-operas","tag-coming","tag-news"],"featured_image_urls":{"full":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE.png",3000,3000,false],"thumbnail":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-150x150.png",150,150,true],"medium":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-300x300.png",300,300,true],"medium_large":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-768x768.png",768,768,true],"large":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1024x1024.png",843,843,true],"thumblist":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-300x300.png",300,300,true],"meccarouselthumb":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-474x324.png",474,324,true],"gridsquare":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-391x260.png",391,260,true],"tileview":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-300x400.png",300,400,true],"1536x1536":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1536x1536.png",1536,1536,true],"2048x2048":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-2048x2048.png",2048,2048,true],"trp-custom-language-flag":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-12x12.png",12,12,true],"qubely_landscape":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1200x750.png",1200,750,true],"qubely_portrait":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-540x320.png",540,320,true],"qubely_thumbnail":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-140x100.png",140,100,true],"vp_sm":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-500x500.png",500,500,true],"vp_md":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-800x800.png",800,800,true],"vp_lg":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1280x1280.png",1280,1280,true],"vp_xl":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1920x1920.png",1920,1920,true],"vp_sm_popup":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-500x500.png",500,500,true],"vp_md_popup":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-800x800.png",800,800,true],"vp_xl_popup":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1920x1920.png",1920,1920,true]},"post_excerpt_stackable":"<p>LE RETOUR D&rsquo;ULYSSE &#8211; MONTEVERDI UNE CO-PRODUCTION OPERA FUOCO &amp; OP\u00c9RA DE MASSY 23 AVRIL 2027 &#8211; 20H0025 AVRIL 2027 &#8211; 16H00OP\u00c9RA DE MASSY MONTEVERDI (1640) Un mythe urbainIl ritorno d&rsquo;Ulisse in patria de Monteverdi pourrait \u00eatre consid\u00e9r\u00e9 comme le premier drame psychologique de l&rsquo;histoire de l&rsquo;op\u00e9ra. Monteverdi joue avec des \u00e9tats de conscience contrast\u00e9s et d\u00e9veloppe un langage musical irr\u00e9sistible gr\u00e2ce auquel il r\u00e9v\u00e8le des personnages humains, subtils et cr\u00e9dibles. En combinant la rh\u00e9torique des pr\u00e9mices du baroque avec une physicalit\u00e9 contemporaine, David Stern et Anne Nguyen invitent le public \u00e0 vivre Le Retour d\u2019Ulysse d\u2019une mani\u00e8re nouvelle et&hellip;<\/p>\n","category_list":"<a href=\"https:\/\/operafuoco.fr\/en\/category\/operas\/\" rel=\"category tag\">Operas<\/a>","author_info":{"display_name":"admin","author_link":"https:\/\/operafuoco.fr\/en\/author\/admin\/"},"comments_num":"0 comments","aioseo_notices":[],"qubely_featured_image_url":{"full":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE.png",3000,3000,false],"landscape":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1200x750.png",1200,750,true],"portraits":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-540x320.png",540,320,true],"thumbnail":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-150x150.png",150,150,true],"medium":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-300x300.png",300,300,true],"medium_large":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-768x768.png",768,768,true],"large":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1024x1024.png",843,843,true],"thumblist":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-300x300.png",300,300,true],"meccarouselthumb":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-474x324.png",474,324,true],"gridsquare":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-391x260.png",391,260,true],"tileview":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-300x400.png",300,400,true],"1536x1536":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1536x1536.png",1536,1536,true],"2048x2048":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-2048x2048.png",2048,2048,true],"trp-custom-language-flag":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-12x12.png",12,12,true],"qubely_landscape":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1200x750.png",1200,750,true],"qubely_portrait":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-540x320.png",540,320,true],"qubely_thumbnail":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-140x100.png",140,100,true],"vp_sm":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-500x500.png",500,500,true],"vp_md":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-800x800.png",800,800,true],"vp_lg":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1280x1280.png",1280,1280,true],"vp_xl":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1920x1920.png",1920,1920,true],"vp_sm_popup":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-500x500.png",500,500,true],"vp_md_popup":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-800x800.png",800,800,true],"vp_xl_popup":["https:\/\/operafuoco.fr\/wp-content\/uploads\/2019\/04\/ULYSSE-1920x1920.png",1920,1920,true]},"qubely_author":{"display_name":"admin","author_link":"https:\/\/operafuoco.fr\/en\/author\/admin\/"},"qubely_comment":0,"qubely_category":"<a href=\"https:\/\/operafuoco.fr\/en\/category\/operas\/\" rel=\"category tag\">Operas<\/a>","qubely_excerpt":"LE RETOUR D&rsquo;ULYSSE &#8211; 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